Monday, 14 November 2016

Mr Skellie Bones

Halloween has come and gone, once again, and I still haven't posted about Mr Skellie Bones. So here goes...

It all began when our son, then aged 6, attended a friend's birthday party that included a dark and scary 'Ghost House' for the children to explore. The clever parents and granny had closed off a couple of rooms in their house, made them very dark and decorated them with very scary bits and bobs. In the bedroom they created a scary person sleeping in the bed by stuffing some kids clothing and adding a hat. For months after the party my son begged me to please make him a life sized skeleton pillow that he could put in his bed to scare his friends.

I eventually agreed. I'd make the skeleton pillow.

I started by pasting together some news print paper and drawing my son's outline. (he wanted it life size after all) It took me a long time to figure out just how I was going to go about it. I started drawing the skull and bones onto the paper, changing and simplifying the design as I went along. I decided to make the basic pillow out of a sturdy black cotton fabric, and then to cut the skeleton out of white felt which I glued on. (I probably should have sewn these on, but it really was taking a lot longer to make than I thought it would.) I managed to finish it in time for his 7th birthday. He was very excited and happy to finally receive his skeleton friend.

Mr Skellie Bones has been a member of our family for a couple of years now. He is the 'other brother' to our 3 children. He enjoys going on outings, building Lego, and playing dress up. The other day he even won his first medal. Apparently he was awarded this medal for being 'Totally AWESOME!' He's a well loved skeleton.

Here is the making of Mr Skellie Bones, in pictures.


My son's drawing of a skeleton.

Planning and simplifying the skeleton design.


The finished pattern.
 
The finished pattern.
Cutting the skull, teeth and bones out of white felt.
Each piece was numbered so that I knew where it had to go.
This took a lot of time, concentration and a huge amount of patience.
 
Final construction. Gluing, sewing and stuffing.
 
Introducing... Mr Skellie Bones 

Result!
 
A very happy boy on his 7th birthday.

The kids and Skellie having a "sleepover".
 
 
 

Tuesday, 17 May 2016

Greg Heffley - World Book Day

This year our son, who is in Grade 3, chose to dress up as "Greg Heffley" to celebrate World Book Day at school.
Gregory "Greg" Heffley is the hero/antihero protagonist of the realistic fiction book series Diary of a Wimpy Kid created by American cartoonist Jeff Kinney.

It was an easy and fairly quick dress up costume to put together. He wore a white vest, his old (now too small for him) black tracksuit trousers, white socks, white trainers and a mask. I made the mask using a sturdy piece of white card. I copied the face from one of the illustrations in the book. I drew it in pencil first and then coloured it in using a black permanent marker. I had some transparent elastic (that I usually use for making beaded necklaces) that I threaded through small holes I'd made using a needle, and tied it to hold the mask in place.

It was his idea to make a "side fitting" mask which turned out to be very effective and much more practical than a front fitting mask would have been. A front fitting mask would have required eye holes and may have spoiled the face a bit.
And...

TA DA!

 
 

He looked super cute, don't you think?
 

Thursday, 24 March 2016

Making Easter Magic

Well, I say "Easter Magic" because I feel like I managed to pull a... um... rabbit, out of a hat!

It was the morning of the twins' preschool Easter market and I hadn't made any clever Easter themed crafts, or baked any yummy Easter treats for them to take along to sell. Eeeek!!

I had to make a plan, and quickly!

After dropping the girls at school, and with only an hour (and a bit) to spare before I had to return with my wares, I headed for the nearest supermarket. I was thinking that I could maybe buy some Easter chocolates or sweeties to sell.
I walked into the shop and was greeted by a display of Hot Cross Buns. Some with raisins, some with chocolate chips. It gave me an idea!! I hurried home.

Hot cross buns. Some with raisins, some with chocolate chips.

I rolled them flat in an attempt to make them go further. It worked.

Using a rabbit shaped cookie cutter, I cut out as many as I could.
Sometimes including the 'join'.
 
 
TA DA!!
 
 
Hot Cross Bunnies!
 
If I'd had more time, I would have added a thin layer of white glacé icing
and perhaps a Jelly tot tail.
Maybe next time.
 
 
 

Monday, 25 May 2015

Mother Earth

I find that working with clay in my Astar class is always so enjoyable. Pressing my hands and fingers into the clay, working freely and intuitively often with eyes closed, can be very therapeutic and grounding.
We work with a big lump of clay that is air dried and never fired in a kiln, so there is no need to make your sculpture hollow or to worry too much about air bubbles. A variety of natural and found objects can be added to your sculpture and pushed into the clay. The focus, as always, is on the process and not on what the final piece will look like or how long it will last. Some sculptures, if cared for correctly, can last for years.

This sculpture is the result of me combining a portrait, with aspects of an animal oracle card that I pulled from a deck of Medicine Cards by Jamie Sams and David Carson.
I pulled "The Turtle: Mother Earth". When I selected the card it was in reverse (upside down) which is important to note when reading the meaning of the card. I have included the card meaning further down in this post. 

I included a small shell on her forehead with a spiral.

 I added texture, inspired by the turtle's shell, by repeatedly pushing a piece of dried coral into the clay.


She was looking good. I was pleased.
After taking a couple of pics, it was time to remove her from the board I'd been working on.
But her head was heavy and I hadn't realised that, once she was 'unstuck' from the board, she would fall onto her chin! My heart sank. 
And then I had the idea of including a rock onto her back.




 I found the perfect rock in the plant pot outside my door. The textures of the rock worked well with the textures (inspired by the turtle shell) I'd created using a piece of dried coral. The colours went well with the colour of the clay and the grey wool I'd used for her hair.
Saved. Phew!


After our closing meditation and reflection, we were asked to write a Haiku poem about our piece.
(Where is my friend Leif when you need him. He enjoys writing Haiku poems ... lol)
Well, there's a first time for everything. I gave it a shot (not very successfully).

I am Mother Earth
The source of Ancient Wisdom.
Always Protected.

xx



Source: Sams, Jamie and Carson, David. Medicine Cards (Santa Fe: Bear and Company, 1988).
 
Medicine Cards: Turtle: 10: Mother Earth
In Native American teachings, Turtle is the oldest symbol for planet Earth. It is the personification of goddess energy, and the eternal Mother from which our lives evolve. We are born of the womb of Earth, and to her soil our bodies will return. In honouring the Earth, we are asked by Turtle to be mindful of the cycle of give and take, to give back to the Mother as she has given to us.
Turtle has a shell which is similar to the protection that Earth has employed for centuries as her body has been defiled. Mother Earth's protection has come in the form of Earth changes, new plant growth, the creation of new land masses by volcanoes, and climate alterations. Like Turtle, you also have shields that protect you from hurt, envy, jealousy, and the unconsciousness of others. Turtle teaches you, through its habit patterns, how to use protection. If you are bothered by the actions or words of others, it is time to go inside yourself and honour your feelings. If you are attacked, it is time to give a warning snap.
If you have chosen the Turtle symbol, you are being asked to honour the creative source within you, to be grounded to the Earth, and to observe your situation with motherly compassion. Use the water and earth energies, which represent Turtle's two homes, to flow harmoniously with your situation and to place your feet firmly on the ground in a power stance.
Turtle is a fine teacher of the art of grounding. You may even by able to overcome some of your "space cadet" tendencies if you align with Turtle medicine. In learning to ground, you are placing focus on your thoughts and actions and slowing to a pace that assures completion.
Turtle warns of dangers of "pushing the river," as evidenced by the plodding pace it keeps. The corn that is harvested before its time is not yet full. However, if it is given the chance to develop at its own rate, in its own season, its sweetness will be shared by all.
Turtle buries its thoughts, like eggs, in the sand, and allows the sun to hatch the little ones. This teaches you to develop your ideas before bringing them out in the light.
Look at the old fable of the tortoise and the hare, and decide for yourself whether or not you would like to align with Turtle. Bigger, stronger, and faster are not always the best ways to get to a goal. When you arrive, you may be asked where you have been and you may not be able to remember. In that case, arriving prematurely can make you feel very immature.
If you draw the Turtle card, it augurs a time of connecting with the power of Earth and the Mother-Goddess within. 
This is a reminder of the ally you have in Mother Earth.
It does not matter what situation you have created: ask her for assistance and abundance will follow.


Medicine Cards: Turtle: Contrary: (card pulled in reverse)
Pulling the Turtle card in the reverse means that Mother Earth is calling you to reconnect in some way. If you have become flippant and forgotten to place waste in its proper place instead of throwing it out the car window, she is calling. If you have felt alone in your time of need, she is calling. If you have been struggling financially or have little to eat, or if you have desired a child and see no pregnancy in the near future, she is your medicine - use it. You are not alone... ever. You are a child of Earth. All acts of pleasure, joy, and abundance are given by the Mother of the creative force. Use her energy to aid you, and you will be healed enough to share this energy with others.
The idea of a Turtle helplessly trying to right itself after it has been flipped upside down can also symbolise contrary Turtle. You are not a victim, and you are not helpless, no matter how much it may seem like this is the case in your present situation. To right the ill-dignified Turtle, you need only list the things you are grateful for, and from that grateful place in your heart, look for the abundance of alternatives that Mother Earth gives.
Overview:
In Native American mythology, Turtle represented the Earth, the mother from whose substance the bodies of all creatures living on Earth were formed, and the nurturing Force that provides an opportunity for the human spirit to evolve.
As a power animal, Turtle teaches the need for protection. Although you should find expression for the creative sources within, and allow your thoughts to reach up to "heavenly" things, it is essential to stay well grounded and to be connected to the power of the Earth. In other words, you must keep your feet on the ground of practicality.
Turtle also stresses the need to keep the physical body in balance, and to remember that this is the vehicle through which we experience life on Earth.
Turtle teaches the wisdom of aligning yourself with the cyclic flow of life, and demonstrates that the fastest way is not necessarily the best, for it takes time for ideas to develop properly.
Turtle indicates Earth harmony, and draws you to all that is whole and good and abundant. Make haste slowly.
Connect to Earth Mother. Ask for her blessings. Fertility and manifestation will follow.


Monday, 11 May 2015

Share a Coke and a Smile... Toy Story

As some of you probably already know, I LOVE it when synchronicity and weird coincidences happen in my life.
This is one of those crazy times that I just had to share...

I was painting some characters from the movie Toy Story onto a board to make a Head-in-the-hole Photo Booth for a school market day.
In the movie, the characters, Jessie, Buzz Lightyear and Sheriff Woody, are toys that belong to a little boy called Andy Davis.

I very rarely drink fizzy drinks, but on that particular afternoon I really felt like some Coca Cola. (and crisps, and chocolate)

When I got home from the shop and took the can of Coke out of the bag, I had to laugh.  See what it says on the can!!?

Share a Coke and a Smile... ANDY!!!

How weird is THAT!!?


Painting Jessie, Buzz and Woody characters to make a Head-in-the-hole Photo Booth.

Share a Coke and a Smile... ANDY.
 
Setting up the Toy Stall for a school market day fundraiser.
 
The inside of the Toy Stall was painted to look like Andy's room from the movie Toy Story.
 
The completed Head-in-a-hole Photo Booth.
Jessie, Buzz Lightyear and Woody.
 

Thursday, 23 April 2015

Tintin and Snowy - for World Book Day

World Book Day is celebrated annually in over 100 countries around the world. It's a celebration of Reading. A celebration of books, authors and illustrators aimed to encourage children to explore the pleasures of books and reading.

Many schools celebrate by having a dress-up day, where children go to school dressed as their favourite book character.

Today our son, who is in Grade 2, went to school dressed as one of his all time favourite characters...
accompanied by his loyal companion, Snowy.

Tintin and Snowy off to school for World Book Day.

Tintin and Snowy
(A hair gel and acrylic paint experiment. I hope it washes out easily !! :) )
 
Tintin and Snowy off to school for World Book Day.
 
 
And... you know how much I Love coincidences and synchronicity...
 
After dropping our son (aka Tintin) off for school,
my husband (who is a photographer) arrived at his location for today's shoot and was met by these gorgeous sculptures.
Tintin, Snowy and Captain Haddock
 
Captain Haddock, Tintin and Snowy.
Painted wooden sculptures.
 
 
Great snakes! and Blistering Barnacles!
 
Now get off the computer and go and read a Book!
 
 ...
(Tintin is a character from The Adventures of Tintin by HergĂ©)
 
 

A long silence

I can't actually believe that it's been 8 MONTHS since my last blog post.
Where did the time go!?

It has been a challenging few months with much sadness.
My father passed away a few weeks ago after a long and difficult illness.
We were very close and I will miss him terribly. My heart will never be whole again.
I take comfort in the fact that he is no longer suffering physically, and will hold all the special memories we have together close to my heart.

 
A special moment captured... first game of Chess with his beloved Papa.

A deep love shared between a grandson and his 'Papa'.
 My husband took this very beautiful and moving photograph of my dad with our son a few weeks before he passed. You can feel the love...
 
 
 
Comforting words in this poem by Mary Elizabeth Frye

   A Thousand Winds

    Do not stand at my grave and weep.
    I am not there. I do not sleep.
    I am a thousand winds that blow.
    I am the diamond glints on snow.
    I am the sunlight on ripened grain.
    I am the gentle autumn rain.
    When you awaken in the morning’s hush
    I am the swift uplifting rush
    Of quiet birds in circled flight.
    I am the soft stars that shine at night.
    Do not stand at my grave and cry;
    I am not there. I did not die.


Rest in Peace Dad.
You will be with me always.


Monday, 18 August 2014

Refusing to Fly

Last week I started an ASTAR course where we will be working with “ARCHETYPES” and the roles we play in our lives.

According to Carl Jung, founder of analytical psychology, Archetypes are ancient, universal patterns of behaviour that are embedded in the "collective unconscious."
It is believed that every person has been encoded with a set of 12 primary archetypes. Four of these are universal archetypes related to survival: the Child, Victim, Prostitute, and Saboteur. These four Archetypes are said to be vital to our growth and functioning as adults. The other eight are drawn from the vast storehouse of archetypes dating back to the dawn of human history. They play valuable roles that relate to our work, relationships with individuals and society, as well as to our spirituality, finances, values, and our highest potential.

Author Caroline Myss has created a unique set of Archetype Cards which we used in this process art class. Each card is designed to provide the basic Light and Shadow attributes of the different Archetypes. We started by each choosing a card from the deck. The card I pulled, the Saboteur, read, "Highlights your fear of self-empowerment and the changes it would bring to your life" and "Induces self-destructive behaviour".
I could totally relate to both.

 
We worked in clay in this first session. We held the ball of clay in our hands and did a lovely, relaxing, guided meditation which always helps you to get into the session and to leave your busy day behind you.
We then had about 2 hours to created our sculpture. Working freely without any preconceived ideas or plans, my sculpture started off as one thing and then change direction and end up as something else. My tall, confident, standing figure ended up as a kneeling angel, with exaggeratedly long arms which were folded in her lap.






 
At the end of the session we took time to reflect on each person's work, leaving them a short message on a piece of paper.
When reflecting on my own work I wrote, "I have been given the wings of an angel but I am refusing to fly."
 
I called this work "Refusing to Fly"
 
   ...

From the Caroline Myss website:

"The Saboteur"
This may be the most difficult of all the archetypes to understand, because its name is associated with betrayal. Yet the purpose of this archetype is not to sabotage you, but to help you learn the many ways in which you undermine yourself. How often do you set new plans in motion, only to end up standing in your own way because of the fears that undermine those optimistic plans. Or you begin a new relationship and then destroy it because you begin to imagine a painful outcome. You begin a working relationship with another person and find yourself once again in a power struggle that could be settled peacefully -- but you fall into the same destructive pattern because you fear the other person.
The Saboteur's fears and issues are all related to low self-esteem that causes you to make choices that block your own empowerment and success. As with the Victim and Prostitute, you need to face this powerful archetype that we all possess and make it an ally. When you do, you will find that it calls your attention to situations in which you are in danger of being sabotaged, or of sabotaging yourself. Once you are comfortable with the Saboteur, you learn to hear and heed these warnings, saving yourself untold grief from making the same mistakes over and over. Ignore it, and the shadow Saboteur will manifest in the form of self-destructive behaviour or the desire to undermine others.
To learn how to become aware of the action of the Saboteur within, ask yourself these questions:
  • What fears have the most authority over me? List three.
  • What happens when a fear overtakes me? Does it make me silent?
  • Do I allow people to speak for me?
  • Do I agree to some things out of fear that I otherwise would not agree to?
  • Have I let creative opportunities pass me by?
  • How conscious am I in the moment that I am sabotaging myself?
  • Am I able to recognise the Saboteur in others?
  • Would I be able to offer others advice about how to challenge one's Saboteur? If so, what would it be?
   ...

If you are interested in reading up further about Archetypes, I can recommend visiting the Caroline Myss website where she has a list of over 70 archetypes, including a detailed description of each. There is also a section that can help you to determine your own Archetypes.



Monday, 11 August 2014

The Colour VIOLET


In the Colour Energy Course that I attended last year, we did an in-depth exploration into each spectral colour. Each week we focused on a particular colour and it's associated energy Chakra. We explored the colour's energy through senses, meditation and painting using only the tones and hues of that colour.
 
For each class we were asked to dress in the colour we were exploring that week. A still life, made up of various objects in the colour was set up in the studio. Little bottles of essential oils associated with that Chakra and colour were set out on a tray for us to smell. Even the food and drink that we had during our tea break was in the colour we were exploring.

The Colour VIOLET

The session where we explored the colours Blue and Indigo made me cry.
This session, exploring the colour Violet, made me laugh out loud! :)

The Crown Chakra (Sahasrara), situated at the top of the head, is the seventh energy centre in the chakra system. It is associated with the colour Violet and is often pictured as a lotus flower with a thousand petals. The crown chakra connects us with the universe and the Divine source of creation.

Purple and violet are not my favourite colours, but I did find the still life that was set up in the studio very pretty. The colour purple is often associated with royalty and nobility and can create an impression of luxury, wealth and extravagance.

We took time to soak up the colours, shades and tones of violet and purple and smelled essential oils like lavender, jasmine, frankincense and rose geranium.
 
The still life that was set up in the studio.
 
 
 
During the meditation we were asked to draw a circle, using one finger, on the very top of our head. Slowly, moving our finger round and round, we visualised creating an opening that wold allow a beam of light to shine upwards and connect us with the 'source', to our 'creator'.
After the meditation we used the six shades of violet paint that we had mixed earlier and painted freely onto our canvas page.  Painting round and round, I made a number of swirling brushstrokes, followed by some splashing of water and stamping of wooden printing blocks to add some texture onto the page.
 
Splashes of water and wooden printing blocks were used to add texture.
 
When we stopped for tea, I saw something in my picture that made me laugh. It seemed a bit silly at first, but I decided that after tea I would add to the painting and help 'bring out' what I could see.
 
And here he is... my little purple alien :)

 
Final painting for the colour Violet
 
Close-up of my little alien :)
 
So...
Violet.
The crown chakra.
Connecting us with the universe and the Divine source of creation....
 
hmmmmm
Do you think they speak Huttese?
lol
 
 
 

Friday, 25 July 2014

The Colours BLUE & INDIGO

In the Colour Energy Course that I attended last year, we did an in-depth exploration into each spectral colour. Each week we focused on a particular colour and it's associated energy Chakra. We explored the colour's energy through senses, meditation and painting using only the tones and hues of that colour.
 
For each class we were asked to dress in the colour we were exploring that week. A still life, made up of various objects in the colour was set up in the studio. Little bottles of essential oils associated with that Chakra and colour were set out on a tray for us to smell. Even the food and drink that we had during our tea break was in the colour we were exploring.


The Colours BLUE & INDIGO

I have been struggling to write this post about Blue and Indigo. This session was a very emotional one for me. It left me questioning many things... I've been struggling to find the words...

We combined the Blue (Throat Chakra) and Indigo (Brow Chakra) sessions because when mixing paints in various shades and tones of Blue and Indigo there is an overlap in the colours, Indigo being a dark blue reaching towards purple.

The still life was beautiful as always. It made the studio feel cool, calm and relaxing. If you closed your eyes you could imagine walking through a gentle mist, or into the darkness of the night. Some blue shades could leave you feeling a little sad or 'blue' however.
 
 
 
 
 
We sat around the still life soaking in the colours and smelling essential oils like Cypress, Eucalyptus, Myrrh, Patchouli, Pine, Geranium and Peppermint.
We then mixed up our paint, making six different shades and tones of Blue and Indigo.
 
After our meditation I started off by painting quite calmly, covering the canvas paper with lovely teal and light turquoise paint. When I started adding the darker shades (Indigo) my brushstrokes became more frenetic. I then, rather energetically, added all the shades I'd mixed, creating a lot of texture and movement on the page. I grabbed the wooden printing blocks and a plastic scourer and continued to add even more texture onto the canvas. I was working freely and loosely, with intuitive spontaneity, just as we were meant to.
 
Texture added using the wooden printing blocks
 
After our tea break, it was time to take a look and see if my painting had anything to 'reveal'. I saw a face and a seahorse. They didn't make a very good composition so I turned the page 90 degrees. And again. And again. And again. I had to then remind myself that this wasn't about a pretty picture with a carefully considered layout and composition. I needed to paint what I saw. So that is what I did.

My final painting
 
 
At the end of the session we did another meditation. We had been given a piece of paper and were asked to write, without thought or hesitation, the first thing that came to our mind. Like a message from the universe.
 
I wrote: "Meet me down at the bottom of the deep blue sea."
 
We then had to go around the class and, stopping at each person's work, do the same for them. So without thought or hesitation we wrote the first thing that came to mind when we sat in front of their painting.
The messages that had been left for me by my classmates were:
"Holy Communion"
"Beauty and serenity can be found"
"Looking intensely"
and "Serene beauty - your spirit guide"
 
We took turns to share our 'messages' with the class. One person said that my "spirit guide" made her think of the clay sculpture I'd made in my first Astar class 9 months earlier. As she said it, I experienced a wave of emotion and could not hold back the tears. (It was rather embarrassing, I must say)
My clay sculpture had been about a dear friend who had gone missing at sea in March 2010. His boat and his dog, who was still alive, had been found two weeks later but he was not on board.
 
Detail of the seahorse
 
When I got home that evening I did an internet search to find the symbolic meaning of a seahorse.
This is what I found:

"The seahorse is thought to have mystical significance among the Ancient Greeks, Europeans and Asians. The Ancient Greeks and Romans believed the seahorse was an attribute of the sea god Neptune and as such, the seahorse was considered a symbol of strength and power."
"Chinese cultures believed that the seahorse was a type of sea dragon, and as such they were revered for their power and thought to be symbols of good luck. Sailors have long viewed the seahorse as a good luck charm too." (source)
 
And then I read this, and my tears returned...
 
"The ancient Eurpeans believed that the seahorse carried the souls of deceased sailors to the underworld - giving them safe passage and protection until they met their soul's destination."
 
 
Blue is the colour associated with the fifth Chakra, the Throat Chakra. It deals with issues of communication, expressing our own personal truth, creative expression and symbolic thinking.
 
The colour Indigo is associated with the sixth Chakra, the Brow Chakra. It is also often referred to as the third eye or the mind center. As the 'source' or center of psychic knowledge, this Chakra produces our Dreams and Fantasies, as well as such advanced psychic states as Clairvoyance, Telepathy, Clairaudience and Spirit Communication.
 
 
xxx For Paul. In loving memory. xxx